Category Archives: Museums

McClung Museum hosts monthly Civil War lecture

The third annual Civil War Lecture Series continues to bring bits of the past to inform the people of Knoxville. Once a month, the Frank H. McClung Museum will host these lectures and speakers will cover specific events from the Civil War in Tennessee. There is also a small exhibit of artifacts that can be seen directly outside of the lecture hall

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What Did You Do in the Civil War, California?

ABOUT 15 years ago, Ron Hyde was thumbing through a Civil War magazine when he came across an advertisement for a museum called Drum Barracks.

“The ad said it was located in Wilmington, Calif.,” said Mr. Hyde, who lives in Norco, about 50 miles southeast of Los Angeles. “I thought, ‘That’s got to be a typo. It must be in Delaware or North Carolina.’ ”

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Southern Museum Executive Director to Speak at National Civil War Museum-March 24th

Date/Time:  Sunday, March 24th from 2:00pm – 3:00pm
Location:  National Civil War Museum, 100 Concert Drive,  Reservoir Park, Harrisburg

Dr. Richard Banz, executive director of the Southern Museum of Civil War & Locomotive History, will lecture on the Great Locomotive chase.  The  famed Civil War episode started at 6am on April 12, 1862, in Kennesaw, GA, when  Union spies under the leadership of James J. Andrews stole The General, a  Confederate locomotive.

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Exhibit depicts Pa.’s role in the Civil War

As part of the commemoration of the 150th anniversary of the Civil War, the Senator John Heinz History Center in Pittsburgh has developed a traveling exhibit, “The Civil War in Pennsylvania.”

The exhibit highlights the critical role the state played in the Civil War, providing industrial might, agricultural bounty and natural resources. The 500-square-foot exhibit will be on display at the Lawrence County Historical Society’s Joseph A. Clavelli History Center, 408 N. Jefferson St., for three weeks, starting March 12.

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Crews setting up exhibits at Seminary Ridge Museum

Gettysburg’s newest museum has one very large, very impressive artifact -
itself. The Seminary Ridge Museum’s single biggest asset, say museum officials,
is Schmucker Hall, the building where it is housed.

Schmucker Hall was first built in 1832 under the direction of the Rev. Samuel
Simon Schmucker in order to house his new Lutheran Theological Seminary at
Gettysburg. Its goal was to serve “at the crossroads of hope and history,” a
mission that could not have been more prescient as the seminary soon found
itself at the crossroads of the nation’s deadliest battle.

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SEMINARY RIDGE HISTORIC PRESERVATION FOUNDATION SETS GROUND BREAKING FOR PARKING EXPANSION AND RESTORATION OF HISTORIC GROVE

By late spring, the west side of Seminary Ridge in Gettysburg will  highlight
important historic features, reconfigured  parking, and a completion of a one
mile multiple use historic pathway.  The project is set to begin as soon as
weather permits.

The project, supported by the Journey Through Hallowed
Ground National Scenic Byway program, will redesign traffic flow and
redistribute automobile parking to lessen the effect of paved surfaces in
critical historic areas and begin to restore the Seminary grove of trees west of
the Seminary Ridge roadway.   Gettysburg is the northernmost point in the 180
mile historic corridor that runs along Route 15 to Monticello in Virginia.

The project will also complete the one mile multiple use historic pathway that
currently loops only through the campus on the eastern slopes of Seminary Ridge.
The project removes two tennis courts close to the last line of defense of
Seminary Ridge on July 1, 1863, and limits the amount of paved surface to a
minimum.

A careful redesign of campus parking relocates high density
parking to a place behind the Lutheran Theological Seminary’s A.R. Wentz
library. This move cuts in half (34 spaces) the parking spaces in the immediate
area of the grove where on July 1, 1863, Union forces made their heroic last
stand.  Safer pedestrian walkways, ADA parking spaces, and drop off and pick up
areas for bus and transit are included in the design will support the increased
visitation  to the new Gettysburg Seminary Ridge Museum.

The plan, created by the Seminary and the Seminary Ridge Historic
Preservation Foundation (SRHPF), replants two trees for each one of the
remaining trees in the grove.  Plans for replanting appropriate oak trees in the
Seminary grove were aided by the National Park Service’s Olmstead Center for
Landscape Preservation. They have recommended native oak species that will not
block the view of the historic seminary building cupola once they mature.
Seminary Ridge Historic Preservation Foundation leaders consulted with
Gettysburg National Military Park staff in the final planning for the project.
A team of historians collaborated on the texts and photos planned for the 18
waysides scattered along the one mile path.

SRHPF officials noted that the few remaining oak and ash trees near the top
of the Ridge obscure the building and the cupola which was much more prominent
on the horizon in 1863.  Photos from the 1860’s and 1880′s document the tree
height and position and density. During the construction of the first part of
the pathway on the Eastern half of the campus, Seminary officials heard from
concerned citizens when the earth was carved up to install depressed areas to
collect storm water runoff and recharge the ground water.  They also noted that
completion of the pathway elicited many more comments of gratitude and
appreciation.

“We are losing the grove of trees to age and ash boring insects and the
current view is interrupted by concentrated parking of 68 vehicles,” said John
Spangler, president of the Seminary Ridge Historic Preservation Foundation.
“This project will preserve the view shed of Schmucker Hall from the west and
restore a grove- like appearance to the area that now has only about 20 trees
left, none of which are historic ‘witness trees’,” he added.  Spangler also
indicated that an information session for neighbors and interested members of
the public will be scheduled for early March.

See this link for more information
about the project,
including illustrations and maps.

The new Gettysburg Seminary Ridge Museum will open to the public July 1,
2013, and will feature 20,000 square feet of interactive exhibit galleries and
educational programming to interpret three major areas of emphasis—none of which
are the focus of any other museum in Gettysburg:  the pivotal first day of the
Battle of Gettysburg on Seminary Ridge; the care of the wounded and human
suffering within the museum building during its use as a Civil War field
hospital; and the moral, civic, and spiritual debates of the Civil War era. A
one-mile outdoor trail will complement a museum visit with wayside markers.
Special exhibits, programs and events will be offered throughout the year.

The museum project is a joint venture of the Lutheran Theological Seminary at
Gettysburg, the Adams County Historical Society and the SRHPF. Design
consultants include MM Architects of Lancaster, and ELA Group of Lititz, PA.,
with Delta Development, Harrisburg, PA assisting with public funding.

Photographic Artifacts of Black Civil War Troops

In reality, African-American prisoners of war were killed en masse. Black troops in action endured lower wages and poorer medical care and living conditions than their white counterparts. But soldiers of both races did have surprisingly easy access to the luxury of photography.

Photographers ran government-sanctioned booths near encampments, selling souvenir portraits. The images of black personnel, from officers to gravediggers, are now on view widely in 150th-anniversary commemorations of the Emancipation Proclamation.

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Photo Interactive: The Civil War, Now in Living Color

The photographs taken by masters such as Mathew Brady and Alexander Gardner have  done much for the public’s perception of the Civil War. But all of their work is  in black and white. The battlefield of Gettysburg is remembered as a shade of  grey and the soldiers as ghostly daguerreotype images. Photography was in its  infancy during the time and colorizing photographs was rare and often lacked the  detail of modern imagery.

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